Sunday, February 20, 2011

73. Work for Rem

If you have been following this blog for any period of time you may have noticed several reoccurring patterns in my posts. One of which is my not so subtle insistence on working for a famous architect as seen for example in post number 5, titled Work for a Famous Architect. If that didn't do it for you I reenforced it here and  here.

So when I saw this poster in Metropolis magazine a few weeks ago I thought it would be a good opportunity to do it again.

However, in this post I will let Metropolis editor Paul Makovsky do it for you in a well illustrated poster. But this time we get a little more specific. Working for any ol' famous architect is definitely going in the right direction but working for Rem is well...the next best thing to a guarantee.

This poster, by virtue of showing the staggering amount of star-riffic practices OMA has produced is impressive. Whats even more impressive is that the list was incomplete, since it is  missing a few including Space Group in Oslo, DnA in China and the appropriately named Rotterdam based STAR architects. Yes! they did name themselves star-architects.

CORRECTION: We received word that the office is actually called: STAR strategies + architecture or STAR for short. Still a very impressive name.

The other lesson in this poster that I have pointed to in this blog is that you should marry an architect, for example in post number 24  Marry an Architect. You will notice that a few of these startups are married couples or partners who have met while working at OMA.

So the big lesson of this post is?: Go get a job at OMA and when you are there find a nice girl or guy (depending on your sexual preference), get married and start a firm together. 
It's as simple as that.

This is the overview, [click on image to see larger]

key  [click on image to see larger]


First Generation  [click on image to see larger]

Second Generation  [click on image to see larger]



Wednesday, December 8, 2010

72. A Compromise Manifesto: 50 Techniques for Aspiring Starchitects

It is a given that success for the average architect necessitates sacrifices. However, Starchitect-level success, the kind that so many ambitiously aspire to (and so few achieve), often requires compromise of an especially perverse nature - namely, of one's manners, ethical standards, objectivity, social propriety, mental faculties, and capacity for reason. As evidenced by the behavior of numerous Starchitects and their suborbital attributes to distract from real investigation into the work itself and undermine the process of design. For those preparing to enter into such and endeavor, we offer the following mission statement, based on years of observation, for achieving success in spite of yourself:

1. Profess a commitment to collaborative design. Proceed by designing what ever you want.

2. Promote employees who excel at flattery.

3. Disappear periodically, leaving your team to work unaided. Upon your return, destroy any progress made. Rinse and repeat.

4. When presented with a superior design not of one’s own making, ignore it. Regurgitate said design weeks later as one’s own- add camouflaging tweaks as necessary.

5. Delegate decision-making authority to the least cooperative member of the team.

6. Keep designers emotionally disengaged from the project by discouraging discovery of their own creative solutions. Rather, instill your leadership with ambiguity keeping designers focused on arguing, worrying, agonizing, and fruitlessly trying to read your mind.

7. Hold a design charrette open to all in the firm. Rule that no presented options suffice.

8. Create a design with great potential. Squander it.

9. Everything is due by the end of today.

10. Cultivate competitive factions within the office and silently watch as they busily undermine one another whilst no work gets done.

11. Model your design based on what someone told you the market wants.

12. Delay decision-making by ordering numerous iterations of superfluous design investigations. Shortly before the deadline, proclaim that, as anticipated, your first design impulse was correct.

13. Pick any employee, and publicly parade them as your exclusive favorite. Share meals, pillow-talk, socialize, and plot the future direction of Architecture together. Inexplicably drop them after six months. Pick another worker and repeat.

14. Cultivate team apathy and low morale by continuing to develop ideas and designs ten-to-thirty years out of fashion.

15. Drive your most intelligent team members off the design team and onto the technical team via wilful, impulsive critiques of their creativity. Proceed to design with an even less creative team.

16. Make your rhetoric not match your actions.

17. Develop multiple personalities. Deploy as needed.

18. Allow your drug, alcohol, or sexual addiction to interfere with your work.

19. When you have attained enough fame, rest on your laurels and lose your interest in architecture altogether. Focus instead on football.

20. Identify an outside person or entity that, due to their continual obstructive behavior, absolves the design worthy of your attention. Delegate the design to subordinates declare the project is “bread and butter” and forever ignore it. Collect fees.

21. Create a police-state within the office. Initiate procedures, audit reported hours, surveil computer screens, question in-out times., spot-check emails, restrict meals, increase workloads, reduce pay, threaten objectors, accuse suspects based on hunches, fire people at will, crush rebellion, and generally make employees think more about their exit strategy than designing buildings.

22. Bring your spouse in to assist in running the office. Watch your workers squirm when they cannot alert you that he/she is undermining the firm with his/her idiocy.

23. If a functional request, city ordinance or building code requirement threatens the viability of a signature design element, do one of the following: question the intelligence of the individual raising the issue, make empty appeals to “higher standards”, dismissively declare”just fix it”, or ignore it until it’s too late. Under no circumstances should you take the issue seriously.

24. Demonstrate your passion for architecture by unashamedly bursting into tears when describing the anticipated transcendent experience of your design. Just assume everyone else feels likewise.

25. Publicly act as a beneficent figurehead, a beacon of positive leadership for all in the firm. Privately direct a squad of your lieutenants to do all your firing, slave-driving, salary-cutting and other dirty work. Feign innocence of their actions.

26. Hire a talented new employee with an impeccable resume, trained in a firm more esteemed than yours. On their first day, give the individual a single chance to impress you with their abilities. The instant they deviate from your design affinities, crush them and declare them ruined by their former employer. ignore them until they quit.

27. Interrupt, interrupt, interrupt.

28. Announce to the office you intention to author a Groundbreaking Theoretical Tome. Do nothing.


29. Initiate loud squabbles with your business partner or spouse in front of all employees. Grumble about him/her under your breath. Act surprised when employees quit.

30. Request several color samples of an architectural element, material, or surface. Rule that the correct color is somewhere between Color 1 and Color 2. Repeat ad infinitum.

31. Change part of the design during project documentation. Next, forget that you made this decision. Upon encountering the change as built on site. Fly into a rage.

32. Optional addendum to #31: insist, INSIST! the change be corrected regardless of cost, schedule, or client desirability.

33. Should an employee quit your office, curse them, disavow ever liking them, disparage their abilities and thereafter ignore them. Upon encountering the employee years later, act as if you’ve remained good ol’ pals.

34. The photograph is paramount. Concentrate all your resources on areas to be photograph. Construction need only be durable enough to survive the photo-shoot, not actual use.

35. Brow beat your computer support fellow. Remember, your computer has never ever worked correctly, and “why must I ask you to keep fixing this?”

36. At least once per client meeting, directly question your project leader’s intellectual capacity. Apologize to the client for his/her ignorance (regardless of the validity of his/her remarks”)

37. When others are speaking, do not listen. Concentrate instead on what you will say next.

38. Assert that you work is better than (insert name of architect more highly-esteemed than your)

39. Hire a young attractive employee fitting your sexual preference, regardless of their intelligence or lack thereof. Never find any fault with them. Never fire them. Just leer at them.

40. Punctuate your speech with words for which you have created your own new, bewildering definitions.

41. When walking by an employee’s desk, briefly glance at whatever lies on top, declare it unsatisfactory, provide no solution, and simply continue on your way. Allow no more than 10 seconds for said exchange.

42. No office-wide staff meetings. This would needlessly give workers a sense for the future of the firm, and consequently, their jobs. Much better to keep them nervous, nervous, nervous.

43. Receive praise only. Never provide it.

44. Assume that the office runs on autopilot. New work arrives, contracts get signs, people get hired, people get fired, drawings get drawn, clients get invoiced, bills get paid, paychecks get printed, buildings get built and your Audi gets washed, all whilst you blithely sip chardonnay in first class.

45. Publicity is absolute. Yield to this axiom: if your name isn't in print, you simply do not exist.

46. Copy robustly from yourself. If it worked with a different client, on a different project, with a different building type, in a different time and in a different country, why bother creating unique solution for this project.

47. Cultivate a voice of condescension, a manner of aggression and an appearance of eccentricity.

48. Acquiesce to all of the following client requests, no matter how disastrous it may be to the firms financial integrity: major last-minute changes, reduction to your fee, reduction to your schedule, reductions to the quality of the project, endless design options, client request for delayed payments, pro-bono side-work, working with out a contract, cleaning up another architect’s failed design, or employing the client’s son or daughter in an internship.

49. Remember, inside you are just a child who needs to get his way.

50. Lastly, pass down you unconditional conviction of your own genius to younger generations, so that they too can nurture an unjustified sense of self (regardless of their accomplishments) and mutate their integrity in the pursuit of fame, thus perpetuating the twisted personality cult of Starchitecture inexorably into the future.

-by Anonymous (may be Conrad) may be you. Anonymous is an architect. Anonymous went to the Right universities, and there studied with the Right professors, and recieved the Right grades, the Right awards and the Right degrees. Subsequently, Anonymous earned the Right professional registrations. Anonymous has the Right architects on the Right projects, but that has somehow turned out Wrong. Anonymous has quietly endured in their little fiefdoms, and observed aghast at their often childish, irratinal behavior, yet inexplicable success. Anonymous is ultimately fearful that s/he may turn out just like them.

From Conditions Magazine, #0310

Sunday, October 3, 2010

71. Go after what interests you

While reading the morning newspapers a few weeks ago I came across the headline "McCain Is Now Running Just to Stay in Place". If anyone besides me was closely following the American election in 2008 saw the incredibly rough landing of the McCain Campaign as he fumbled, stumbled and bumbled making one fundamental mistake after another, and another.

He has long built a public image as a man of solid moral character. He doesn't play dirty, he is a veteran, former P.O.W. that would rather let his fellow P.O.W. colleagues be freed before him, etc. Then when Obama's numbers began to rise he outrightly stated "I am going to play dirty" and followed up with a slew of dirty political ads and misleading accusations. It went against everything he had branded himself as up until that point. But he figured it was a gamble he had to take. It barely got him a bump in the polls, followed by a dip which further torpedoed his campaign down like a sinking anchor.

Now that the campaign is over and he is up for re-election to keep his senate seat. He comes to the challenge with a long standing reputation and brand built around what his calls "maverick"; his ability to negotiate between parties and make alliances across political ties to get bills passed, even if it irks his own party. It told the world he was an independent thinker and has the ability to stand above politics. However when things got tough, he willingly threw all that out the door. The political climate in America now with the Republicans and the Tea-Party movement in full swing, is very hostile to the Democrats. In order to gain some immediate popularity McCain told a reporter that he never really considered himself a maverick. He was lampooned in the media and jeered on late night talk shows for days. He eventually went on to keep his senate seat. But for someone who was the presidential candidate for their party it was an embarrassingly close election.

The lesson I extract from all this is that it is really bad to change who you are fundamentally, your core values (or what you branded your self as) for any short term gain. It is just dumb.

Why am I bringing it up in this context?

Because it has everything to do with handling your career as an architect; especially a famous architect who's career is in the spotlight and is closely followed by the rest of us.

One of the best advice I have ever heard any starchitect gave was from Frank Gehy when he said
"Dont look over your shoulders, be yourself, find your own way, become an
expert in your own work."
Your best work is your expression of yourself. When you do that, you become more of yourself. To me that means a commitment to finding your own core values and building on them and expressing it. Finding out what is interesting to you in architecture and following it relentlessly and passionately no matter where it takes you.

I also heard Diller+Scofidio say that in this interview. when they said

" We always found things that interested us and that's where we went."

Joseph Campbell the famous mythologist puts it squarely when he coined the phrase-

follow your bliss

He spoke of the character in Babbitt who famously proclaimed 'I have never done a thing that I wanted to do in all my life.' Because he was doing all that society expected of him in order to climb the social ladder. He dutifully conformed to society but never followed his bliss.

The opposite of following your bliss is to go away from what you are really interested in, to go away from the thing that made you excited about being an architect in the first place for some immediate gain.

There is always a big temptation especially with a professon like architecture that is very suceptible to fads and waves of styles to jump on to.

The temptations are many:
-Oh that style is more popular right now so l am going to do XYZ because thats
what everybody is excited about and wants.
-We want to have more money - no one can argue with that we all want more money.
But in the end is it what makes us happy?
I sometimes see articles with titles like "10 hot careers that pays $100,000 a year or more and are in demand". My thoughts are always why would I want to dedicate a major chunk of my short life on this planet to doing something just because it is hot and pays $100,000 a year? Would I not just have a lot of expensive toys and an sad and hungry soul?
Don't get me wrong, money is good. I am not one of those who claim that money is the root of all evil - that's just crap. What I am saying is that you should not go into a career with the major reason being that it pays well. I say go after what you love to do, go after a career that makes you happy, and if it pays well too then great, if it doesn't then figure out a way to make money with it - if that is important for you.

I realy believe that the architects that are really successful or famous are the ones who stuck to their guns, who followed their bliss, and did what made them happy and excited about architecture and branded that interest so well that everyone else thinks it is cool.

It requires an unwevering conviction. If you don't have it get it. Some people are born with that conviction and thats good for them. For others it is developed. What ever you have to do, do it. Find what makes you passionate about architecture, believe in it, stick to it, and convince everyone else around you that it is the best thing since slice bread.

Conrad Newel

NOTES ON BECOMING A FAMOUS ARCHITECT
Liberating Minds Since August 2007